Category Archives: Typefaces

Virginia Plain typeface.

This came about around designing logos and packaging for clients. I wanted something feminine and modular, a typeface where letterforms interacted with each other but didn’t touch too much, keeping their readability. As for influences, there’s the First Roxy Music … Continue reading

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Old Sketchbook week: No.14! Big Book 2, First Salvo, BIG TYPE.

Ok, here’s some woodblock type. I’ve experimented with different viscosities and media on the type. It’s a beautiful bit of craftsmanship, and most of the letterforms are near perfect for this Alternate Gothic style of font. Please ask if you … Continue reading

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New Typeface No. 2: Wyndham Roman & Wyndham Compressed

This font was based on the idea of the golden ratio. There is a lot of talk about how harmonious and downright pretty the ratio is so here’s my go at making a typeface from the ratio as a grid. … Continue reading

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New Typeface No.1: Ezra Phonetic

It’s reasons for being: Since 1986 I’ve been thinking about of Herbert Bayer’s ideas on a typeface that dispenses with uppercase and is more representational of the phonetics of speech all filtered through the bauhaus’s reductive minimalism. I’m doing some … Continue reading

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Silver Premium Instant Shoe Shine® Typeface

I wanted a typeface on Friday. One that was spontaneous, exciting and bold. To go against all this computer led straight lineness – to be a bit electric guitar rather than slick programmed synth. In front of me was my … Continue reading

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The sponge finger of Fete

This year’s fete design has a bit of trad jazz and a dash of Magic Roundabout about it. I wanted to highlight the lace doily, slightly eccentric character you expect from a village fete.

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Berlin Ostel floor 13 typeface. Hasn’t been used yet.

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T-shirt design for Rhys. Using some typefaces by me.

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Hot metal type bought in Berlin. No G, J, Q, Y, or X but two E’s and two Z’s. So Swings and Roundabouts.

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Number Birds. To go with the Animal Alphabet in the nursery.

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Hullomail font. Very friendly, happy and bouncy.

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Bits and Bobs – littl bits of work that don’t fit anywhere else

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Paris Passion – a font for a very strange project; based on lots of french stuff.

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Brand Electioneering – the ad agencies very own font in 3 weights. This is regular.

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Gertler – My thoughts around 30′s modernism. Tall, thin and snooty.

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Fox Titling – an exclusive font for a Morgan’s Spiced campaign

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Trevcut – made from cut out post it notes

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Alphabet Animals (for my children’s nursery)

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