Here’s how the painting came to be. It’s squared up which is unusual for me.
The compositon is from two different different photos heavily cropped and rotated -15˚.
The palette was Zinc white, Colbalt blue (hue), Burnt Umber, Crimson Alizarin, and lots of Yellow Ochre.
The finished painting.
Some fun close ups. I’ve tried to keep the brushwork lively throughout.