A connection is made. Acrylic on treated plywood.
Two of the top models in London, ‘A’ and Mr. Skellington. Lots of decisions made before putting paint on the brush. Colour, crop, brush sizes all were worked out beforehand. I was trying to make both of them be as alive as possible. And put into practice what I’d learnt from the Van Gogh exhibition at the Tate Britain.
Small old canvas with two poses. Acrylic on canvas.
Painted over an abstract from 1993, the new work was then scratched with a scalpel to let the old painting be the background.