Looking left No.1. Acrylic, chalk and pencil on paper.
I think it was 25 minutes, plus some more on the skull of the now famous Mr. Skellington.
Sitting poses need some dynamism. The chalk was added on the background to make it recede. The skull was left on the floor over the break, so I had an extra 10 minutes with it, hence the detail.
Details of the above, showing the shaky mark making.
Looking Left no.2. Acrylic and conté pastel on paper. An hour in the Mary Ward Centre, then 20 minutes at home.
The background was rather loud before the watered-down Farrow and Ball mixture was liberally added to calm the whole thing down. The shadows were added – there wasn’t many shadows in the real scene.
Some details of the above. A smaller painting of the model and two warm up poses which are very gestural. Interesting that I haven’t kept the skin tone palette between any other works made one after the other. Do I always see afresh? It would save time to use the same colours…