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Category Archives: Life Drawing
Talk to me. Acrylic, black oil paint, pencils on paper. 70x100cmThe model didn’t have red hair. Or such dirty feet. The paper was prepared with dark grey, the light cement colour was quickly and thickly applied, somehow influenced by the … Continue reading
Relax. Acrylics and pencil on paper. 70x100cm.The paper was prepared with the messy grey-green. The light blue was quickly put on, then the drawing. in the last five minutes of the pose, the pinks and whites were applied. The background … Continue reading
I’ve been on public transport and find that instead of glaring at people without masks on, I’d rather look at my hands and draw what I see.
Two Goats, Clissold Park, Stoke Newington. Pencils in the grey sketchbook.Clissold park is great for people (and goat) watching. I had 40 minutes in between picking up the children from climbing. The deer and birds were too far away to … Continue reading
A new model to draw on another hot summer night. Diagonal Seated man. Acrylics and pencils on large paper.The sludge green/grey colour was made up on the spot and used as the base for the rest of the image. The … Continue reading
Due to various reasons I haven’t been painting life models since 2019.There is a small exclusive set of life drawing sessions over the summer holidays and I was lucky enough to be invited. The weather may be hot and the … Continue reading
After a cardboard square sketchbook, here’s the new grey, A3 sugar-paper one. Edward with umbrella, pencil and markers. Made when I felt absolutely terrible. It was such a nice composition that I had to scrawl it down. From top left. … Continue reading
So due to obvious reasons, art evening classes have been postponed. Now that I’m allowed to have some (well spaced) friends about, we’ve got together to paint and draw in my top floor studio. All very pleasant, with records played … Continue reading
Flowers, lemon and grapes. Acrylic and pencils on watercolour paper. A very busy composition with a nice mesh of textures and colours. It is supposed to look serious and not frivolous. Flower painting is not something that interests many modern … Continue reading
All these sketches were made last Sunday, in a dry, bright, poppy strewn garden. Poppies are so vibrant, the simple shapes and intensity of colour please me. Perspective and flower drawings are interesting, how you can suggest depth with the … Continue reading
Painting after the event. The lack of model. Things get more plastic, colours stronger, design more obvious. The driving ideas in this work are sunlight on form, interiors and what is real in the world of the painting. Again, Matisse … Continue reading
A in the sunshine. Acrylic and pencil on paper.This work was about the full on power of the sun and what it does to colour and form. E at work. Acrylic and pencil on brown paper in a sketchbook.My youngest … Continue reading
I think this is finished with. For a while. Pensive self portrait. April 2020. Oil on canvas.Painted at different times of day, in different clothes, on different chairs (all things that were slightly unfortunate). You can tell it’s painted from … Continue reading
How quickly things can build. Since last week I have had two sessions at different times of the day. The best light is at 5pm but I’m almost always cooking for the family then. Due to a haircut (I was … Continue reading
This canvas I paint over every few years with a self portrait. Good practice, plus, with photography being what it is, there is still a record of the last version. Self portraits usually look a bit odd, an intense stare, … Continue reading
My youngest son has the pleasure of my company as I take him to various lessons. He’s now at home, next to me doing his homework now… Mostly I’m designing on the laptop while he’s learning but sometimes I’ll start … Continue reading
So, what do we have here, then? Some sketches form life, some colour tests, some studies and one of the points of inspiration, a Rembrandt self-portrait.
It’s taken a while. In the next few posts I’ll show how this work came to be. Portrait of B thinking. Oil on wood. 14.02.2020. 14″ square. See details. Some real up-close details and the palette.
The Mysteries. Oil on canvas. 90cm square.I think that’s pretty much it. The ideas behind this work were:• To make something on a very red ground after doing a few paintings on very blue backgrounds• To make a work that … Continue reading