Category Archives: Uncategorized

Life Drawing. How do I get to Carnegie Hall?

Posted on January 18, 2021 by Trevor Mill

Practice man, practice. How do I get to Carnegie Hall? Acrylics, pencil, oils and oil pastels on prepared paper. 100 x 70cm.Sometimes a piece of work just takes time and effort to finish. This started off as a 30 minute … Continue reading →

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Life Drawing. Man in pencil.

Posted on December 19, 2020 by Trevor Mill

Look left 2. Pencil on paper. 100 x 70cm.This was an enjoyable hour and a half. After some initial sketching, the work was made from right to left as I am very left handed and a terrible smudger. Putting in … Continue reading →

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Life drawing. On black.

Posted on December 11, 2020 by Trevor Mill

Lady Macbeth. Acrylics, oil paint and pencil on prepared paper. 100 x 70cm.The background was already dramatic before the figure emerged upon it.We were talking about great roles in the theatre in the life drawing session and Lady Macbeth seems … Continue reading →

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Life drawing. On Gold.

Posted on December 7, 2020 by Trevor Mill

On gold. Acrylics, gesso, pencil and oil paint on prepared paper. 70 x 100cm.A frame on the floor really helped with the dynamism and proportion of the figure in the space. You can see how near I was in the … Continue reading →

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Six studies of R

Posted on November 20, 2020 by Trevor Mill

The first session with the young man. A few hours of painting, drawing, chatting and listening to Leonard Cohen. The second session. Great fun. Next post is the workings of the final painting.

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Life Drawing. C a l m . .

Posted on November 16, 2020 by Trevor Mill

Calm. Acrylics, pencil and oil paint on paper. 70 x 100cm.There was some interesting times in the making of this work, fun with oil paint and keeping the atmosphere of the original time in the life studio. Some details showing … Continue reading →

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Life drawing. The night of the 4B Pencil.

Posted on October 24, 2020 by Trevor Mill

Thinking in Mono. Pencil on paper. 100 x 70cm.It was enjoyable not to have to worry about colour, brushes and cleaning up. A wash of Paynes Grey and liquin was put on the material at home. As usual, if only … Continue reading →

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Life drawing. Presence.

Posted on October 17, 2020 by Trevor Mill

Past & Present (SLG x2). Acrylic, pencil and oil on prepared paper. 100 x 70cm.The initial painting was in acrylic, then overpainted in oils thinned with liquin. Again the feeling of the models presence was important. Oil paint gives a … Continue reading →

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Life Drawing. Movement | Stasis.

Posted on October 9, 2020 by Trevor Mill

Movement | Stasis. Acrylics and pencil on prepared paper. 100 x 70cm.The dark blue frame and background was painted a few days before the figures. The work was made in two parts. In the first, the model (an actor) was … Continue reading →

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Under the influence of Giotto.

Posted on October 8, 2020 by Trevor Mill

I haven’t done many religious works in my life. After buying a beautiful book on Giotto’s work at Assisi, it seemed the right time to make some studies, to try and work out how he gets the emotional intensity of … Continue reading →

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R&C

Posted on October 2, 2020 by Trevor Mill

Mother & child. Acrylics on canvas. A good friend has had the most charming young man. I’ve put the work in an old museum frame, not sure what frame it needs at the moment. Here’s pretty much every stage of … Continue reading →

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The view from the exterior / interior.

Posted on September 28, 2020 by Trevor Mill

A good night’s life painting. With some work on Sunday afternoon, two paintings are finished. They would look better in oils on canvas but that would be quite a more time consuming , messy and impractical process. We do what … Continue reading →

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Life Drawing sessions. 4. Talk / Listen.

Posted on September 21, 2020 by Trevor Mill

Talk to me. Acrylic, black oil paint, pencils on paper. 70x100cmThe model didn’t have red hair. Or such dirty feet. The paper was prepared with dark grey, the light cement colour was quickly and thickly applied, somehow influenced by the … Continue reading →

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4 Life Drawing sessions. 3. Relax / Tense.

Posted on September 18, 2020 by Trevor Mill

Relax. Acrylics and pencil on paper. 70x100cm.The paper was prepared with the messy grey-green. The light blue was quickly put on, then the drawing. in the last five minutes of the pose, the pinks and whites were applied. The background … Continue reading →

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Goats in Clissold Park, Stoke Newington. Plus Ottesa Moshfegh.

Posted on September 7, 2020 by Trevor Mill

Two Goats, Clissold Park, Stoke Newington. Pencils in the grey sketchbook.Clissold park is great for people (and goat) watching. I had 40 minutes in between picking up the children from climbing. The deer and birds were too far away to … Continue reading →

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Derbyshire views.

Posted on September 2, 2020 by Trevor Mill

While staying a week in Derbyshire I had enough time to make a few works. In landscape painting I’m trying to make my viewpoint wide the bridge to get the sense of the way the human eye takes in the … Continue reading →

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4 Life Drawing sessions. 1 Prussian blue and ochre.

Posted on August 16, 2020 by Trevor Mill

Due to various reasons I haven’t been painting life models since 2019.There is a small exclusive set of life drawing sessions over the summer holidays and I was lucky enough to be invited. The weather may be hot and the … Continue reading →

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Grey Sketchbook: The Fabrick, or Ashover Rock.

Posted on August 6, 2020 by Trevor Mill

I went up North for a holiday and made this landscape in the Grey A3 Sketchbook.This majestic rock is pronounced ‘The Feybrick’ btw. The rocks around the hill were used as the fabric of the local church, hence the name.The … Continue reading →

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Brown sketchbook. The last few pages…

Posted on July 20, 2020 by Trevor Mill

Now, what new sketchbook do I get? Top row: By the Thames making art with Sarah Middle row: Faces and flowersBottom row: Edward and me working through books and legends, Karaoke night More abstract works. The white is heavily textured … Continue reading →

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The book of the exhibition

Posted on July 14, 2020 by Trevor Mill

The first look through a book you’ve designed is a special time. A mixture of trepidation ‘is there any mistakes in the printing, design or copy?’ and the joy of having a physical example of your work. Here’s a film … Continue reading →

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