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Peonies v2I’m using markers for the first time in my life. At one point I had to do some marker visualising (drawing scenes or images before the photoshoot), something that was fun but a bit hit and miss as after … Continue reading
Flowers, lemon and grapes. Acrylic and pencils on watercolour paper. A very busy composition with a nice mesh of textures and colours. It is supposed to look serious and not frivolous. Flower painting is not something that interests many modern … Continue reading
All these sketches were made last Sunday, in a dry, bright, poppy strewn garden. Poppies are so vibrant, the simple shapes and intensity of colour please me. Perspective and flower drawings are interesting, how you can suggest depth with the … Continue reading
A summer view. Trying to get the strength of sunlight. Two pages of collages. Juxtaposition. Connection. Like a lot of life at the moment; a sense of randomness, snatches of ideas. Theses things have been inspirational. Strength of colour, taste … Continue reading
I do like drawing people. Most of these people I know very well. The nude was a model from a few years ago.
This is the first batch of images from a nice LP sized sketchbook with brown card pages from CassArt. I’ve been going back to old techniques I used at college, pasting in doodles and making the pages into an abstracted … Continue reading
Painting after the event. The lack of model. Things get more plastic, colours stronger, design more obvious. The driving ideas in this work are sunlight on form, interiors and what is real in the world of the painting. Again, Matisse … Continue reading
This canvas I paint over every few years with a self portrait. Good practice, plus, with photography being what it is, there is still a record of the last version. Self portraits usually look a bit odd, an intense stare, … Continue reading
The King. Acrylic, pencils and pastels on paper. About 4 hours, 1 and a half with the models, the rest spread over the week in 1o minute bursts.The challenge was to create a new world around the model, not just … Continue reading
Looking left No.1. Acrylic, chalk and pencil on paper. I think it was 25 minutes, plus some more on the skull of the now famous Mr. Skellington.Sitting poses need some dynamism. The chalk was added on the background to make … Continue reading
The Bewlay Brothers. Pencil and paint on paper.The title has been going around my head and seemed to fit. Some quick poses from the night. Some quick poses form the Friday before.
Paintings and a drawing, made for birthday cards. Continue reading
Another term of Life drawing and Painting starts at the Mary Ward Centre. The amount of joy and knowledge gained on these Friday nights really helps the rest of my life. The tutor John Close and the regulars have become … Continue reading
Here’s the final painting. I’ll varnish it in about 6 months. Lots of nice details.
These are photographs taken at the end of each painting session.The next post will have the finished version.
After making a Picasso-like painting, it was time to go to the realistic side of things.This image is a homage to the black and white photograph, especially Irving Penn.As usual, it was important to make the marks stand out, this … Continue reading
Over the next week there will be a post a day about my latest work, a painting of a girl named Rose.
The main theatre at Pompeii. You can see how hot it was. My wife (the lady in blue) momentarily sat in front of me before retreating to the shade, so she was quickly captured on the page. The sun bleached … Continue reading