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Tag Archives: figurative art
Past & Present (SLG x2). Acrylic, pencil and oil on prepared paper. 100 x 70cm.The initial painting was in acrylic, then overpainted in oils thinned with liquin. Again the feeling of the models presence was important. Oil paint gives a … Continue reading
Movement | Stasis. Acrylics and pencil on prepared paper. 100 x 70cm.The dark blue frame and background was painted a few days before the figures. The work was made in two parts. In the first, the model (an actor) was … Continue reading
Talk to me. Acrylic, black oil paint, pencils on paper. 70x100cmThe model didn’t have red hair. Or such dirty feet. The paper was prepared with dark grey, the light cement colour was quickly and thickly applied, somehow influenced by the … Continue reading
Relax. Acrylics and pencil on paper. 70x100cm.The paper was prepared with the messy grey-green. The light blue was quickly put on, then the drawing. in the last five minutes of the pose, the pinks and whites were applied. The background … Continue reading
After a cardboard square sketchbook, here’s the new grey, A3 sugar-paper one. Edward with umbrella, pencil and markers. Made when I felt absolutely terrible. It was such a nice composition that I had to scrawl it down. From top left. … Continue reading
A in the sunshine. Acrylic and pencil on paper.This work was about the full on power of the sun and what it does to colour and form. E at work. Acrylic and pencil on brown paper in a sketchbook.My youngest … Continue reading
I think this is finished with. For a while. Pensive self portrait. April 2020. Oil on canvas.Painted at different times of day, in different clothes, on different chairs (all things that were slightly unfortunate). You can tell it’s painted from … Continue reading
Looking left No.1. Acrylic, chalk and pencil on paper. I think it was 25 minutes, plus some more on the skull of the now famous Mr. Skellington.Sitting poses need some dynamism. The chalk was added on the background to make … Continue reading
The Bewlay Brothers. Pencil and paint on paper.The title has been going around my head and seemed to fit. Some quick poses from the night. Some quick poses form the Friday before.
Remembering. Acrylic, oil washes, pencil and pastel on paper.Still trying to make the experience of the viewer more tangible. Some experiments in texture and mixed media. Heavily worked on at home, hence the title. Been looking at Michelangelo sculpture get … Continue reading
Dominic in Blue. Acrylic, pencil and pastel on paper.Another fantastic night of painting with Domininc. A very dynamic set up of easels surrounding the model.
Here’s the final painting. I’ll varnish it in about 6 months. Lots of nice details.
These are photographs taken at the end of each painting session.The next post will have the finished version.
Over the next week there will be a post a day about my latest work, a painting of a girl named Rose.
Dominic wearing Barrie’s mask. Pencil and acrylic on paper.Dominic has a bright, positive personality, which shows through even in this muted painting.. His face was covered by a mask, hence the blurry feel. The mask was worn by another model, … Continue reading
A connection is made. Acrylic on treated plywood.Two of the top models in London, ‘A’ and Mr. Skellington. Lots of decisions made before putting paint on the brush. Colour, crop, brush sizes all were worked out beforehand. I was trying … Continue reading
The Look.Charcoal, chalk and oil pastel on sugar paper. 30 minutes.Not much to say on this one.
Contemplation of chance in painting.Acrylic, oil pastel, charcoal and pencil on paper.This painting had four different stages. 1. The smaller figure was made months ago.2. The wine red acrylic was slapped on, again months ago. It was then put in … Continue reading
The Succession. Oil on Canvas. 1x1m. 08.05.19. The work is about representing living people on canvas. The real model, the reflection of the model and the Artist reflected in a mirror, the skull (a remnant from an earlier painting on … Continue reading