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Tag Archives: figurative art
On gold. Acrylics, gesso, pencil and oil paint on prepared paper. 70 x 100cm.A frame on the floor really helped with the dynamism and proportion of the figure in the space. You can see how near I was in the … Continue reading
R looking up. Oil on gesso on wood. 13″ square.This is the hardest painting to photograph. It really does look different in real life. The work has more depth and presence. It will be interesting to see whether it gets … Continue reading
The first session with the young man. A few hours of painting, drawing, chatting and listening to Leonard Cohen. The second session. Great fun. Next post is the workings of the final painting.
Calm. Acrylics, pencil and oil paint on paper. 70 x 100cm.There was some interesting times in the making of this work, fun with oil paint and keeping the atmosphere of the original time in the life studio. Some details showing … Continue reading
1,2 and 3 removes. Acrylic and oil on prepared paper. 100x70cm.The angel is a painting of a painting of a painting, which is quite fun. The title is called 1,2 and 3 removes as the model in the studio is … Continue reading
Past & Present (SLG x2). Acrylic, pencil and oil on prepared paper. 100 x 70cm.The initial painting was in acrylic, then overpainted in oils thinned with liquin. Again the feeling of the models presence was important. Oil paint gives a … Continue reading
Movement | Stasis. Acrylics and pencil on prepared paper. 100 x 70cm.The dark blue frame and background was painted a few days before the figures. The work was made in two parts. In the first, the model (an actor) was … Continue reading
Talk to me. Acrylic, black oil paint, pencils on paper. 70x100cmThe model didn’t have red hair. Or such dirty feet. The paper was prepared with dark grey, the light cement colour was quickly and thickly applied, somehow influenced by the … Continue reading
Relax. Acrylics and pencil on paper. 70x100cm.The paper was prepared with the messy grey-green. The light blue was quickly put on, then the drawing. in the last five minutes of the pose, the pinks and whites were applied. The background … Continue reading
After a cardboard square sketchbook, here’s the new grey, A3 sugar-paper one. Edward with umbrella, pencil and markers. Made when I felt absolutely terrible. It was such a nice composition that I had to scrawl it down. From top left. … Continue reading
A in the sunshine. Acrylic and pencil on paper.This work was about the full on power of the sun and what it does to colour and form. E at work. Acrylic and pencil on brown paper in a sketchbook.My youngest … Continue reading
I think this is finished with. For a while. Pensive self portrait. April 2020. Oil on canvas.Painted at different times of day, in different clothes, on different chairs (all things that were slightly unfortunate). You can tell it’s painted from … Continue reading
Looking left No.1. Acrylic, chalk and pencil on paper. I think it was 25 minutes, plus some more on the skull of the now famous Mr. Skellington.Sitting poses need some dynamism. The chalk was added on the background to make … Continue reading
The Bewlay Brothers. Pencil and paint on paper.The title has been going around my head and seemed to fit. Some quick poses from the night. Some quick poses form the Friday before.
Remembering. Acrylic, oil washes, pencil and pastel on paper.Still trying to make the experience of the viewer more tangible. Some experiments in texture and mixed media. Heavily worked on at home, hence the title. Been looking at Michelangelo sculpture get … Continue reading
Dominic in Blue. Acrylic, pencil and pastel on paper.Another fantastic night of painting with Domininc. A very dynamic set up of easels surrounding the model.
Here’s the final painting. I’ll varnish it in about 6 months. Lots of nice details.
These are photographs taken at the end of each painting session.The next post will have the finished version.
Over the next week there will be a post a day about my latest work, a painting of a girl named Rose.