Author Archives: Trevor Mill

About Trevor Mill

This is my work. Art & Design. The fruits of my labour. Commissions / projects welcome.

The Grey Sketchbook.

After a cardboard square sketchbook, here’s the new grey, A3 sugar-paper one. Edward with umbrella, pencil and markers. Made when I felt absolutely terrible. It was such a nice composition that I had to scrawl it down. From top left. … Continue reading

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Grey Sketchbook: The Fabrick, or Ashover Rock.

I went up North for a holiday and made this landscape in the Grey A3 Sketchbook.This majestic rock is pronounced ‘The Feybrick’ btw. The rocks around the hill were used as the fabric of the local church, hence the name.The … Continue reading

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Art Classes are happening at my house.

So due to obvious reasons, art evening classes have been postponed. Now that I’m allowed to have some (well spaced) friends about, we’ve got together to paint and draw in my top floor studio. All very pleasant, with records played … Continue reading

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Brown sketchbook. The last few pages…

Now, what new sketchbook do I get? Top row: By the Thames making art with Sarah Middle row: Faces and flowersBottom row: Edward and me working through books and legends, Karaoke night More abstract works. The white is heavily textured … Continue reading

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The book of the exhibition

The first look through a book you’ve designed is a special time. A mixture of trepidation ‘is there any mistakes in the printing, design or copy?’ and the joy of having a physical example of your work. Here’s a film … Continue reading

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A virtual poster for a virtual exhibition…

Here is the link to my virtual exhibition https://trevor-mill.com/verve-humanity-exhibition/ Have a wander round and say how you know the artist personally. Stare intently and mutter about the brushwork while stroking your chin.Buy a pretend postcard in the pretend shop.

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Flower drawings in ink markers.

Peonies v2I’m using markers for the first time in my life. At one point I had to do some marker visualising (drawing scenes or images before the photoshoot), something that was fun but a bit hit and miss as after … Continue reading

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Flower paintings and drawings.

Flowers, lemon and grapes. Acrylic and pencils on watercolour paper. A very busy composition with a nice mesh of textures and colours. It is supposed to look serious and not frivolous. Flower painting is not something that interests many modern … Continue reading

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Brown Sketchbook. People and poppies.

All these sketches were made last Sunday, in a dry, bright, poppy strewn garden. Poppies are so vibrant, the simple shapes and intensity of colour please me. Perspective and flower drawings are interesting, how you can suggest depth with the … Continue reading

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Brown Sketchbook: Summertime view and collage.

A summer view. Trying to get the strength of sunlight. Two pages of collages. Juxtaposition. Connection. Like a lot of life at the moment; a sense of randomness, snatches of ideas. Theses things have been inspirational. Strength of colour, taste … Continue reading

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Brown Sketchbook. Even more!

These pages are about watching my youngest son learn. One of my favourite studies. The sunlight was blinding. The composition seems to work, there’s enough space, perspective, colours and lines to be interesting. Here’s the other side of the garden, … Continue reading

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The Brown Sketchbook. 4. And more…

Here’s a scary page, after talking to my youngest son about fleas we had a look at Robert Hooke’s brilliant and historically important Micrographica. Some of the art is by my son. The numbers look like interesting numerology but are … Continue reading

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The Brown Sketchbook. 3. More.

Most of these pages have been worked on over a period of weeks or months. The large image is originally from watching 5 nations Rugby (underneath the paper he’s the kicker of the England team). There’s help with homework, kids … Continue reading

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The Brown Sketchbook. 2. People!

I do like drawing people. Most of these people I know very well. The nude was a model from a few years ago.

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Brown paper sketchbook. 1. Doodles!

This is the first batch of images from a nice LP sized sketchbook with brown card pages from CassArt. I’ve been going back to old techniques I used at college, pasting in doodles and making the pages into an abstracted … Continue reading

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Spring Revision.

Painting after the event. The lack of model. Things get more plastic, colours stronger, design more obvious. The driving ideas in this work are sunlight on form, interiors and what is real in the world of the painting. Again, Matisse … Continue reading

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Sketches of my family.

A in the sunshine. Acrylic and pencil on paper.This work was about the full on power of the sun and what it does to colour and form. E at work. Acrylic and pencil on brown paper in a sketchbook.My youngest … Continue reading

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Self Portrait April 2020

I think this is finished with. For a while. Pensive self portrait. April 2020. Oil on canvas.Painted at different times of day, in different clothes, on different chairs (all things that were slightly unfortunate). You can tell it’s painted from … Continue reading

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Self Portrait update.

How quickly things can build. Since last week I have had two sessions at different times of the day. The best light is at 5pm but I’m almost always cooking for the family then. Due to a haircut (I was … Continue reading

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Self Portraits 2020.

This canvas I paint over every few years with a self portrait. Good practice, plus, with photography being what it is, there is still a record of the last version. Self portraits usually look a bit odd, an intense stare, … Continue reading

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