Life drawing: Francis Bacon.

Saturday 8th September.
In a crypt in a church opposite Euston station.
A great set up of scenes based around Francis Bacon.
Around 4 hours of intense drawing.

http://londondrawing.com/

Three Studies of ‘George Dyer’. Chalk and graphite sticks.
The model undressed as the poses went on. The first in a suit and tie, the second in string vest and the third in his white jockeys. Based on the painting of Bacon made from photographs of George Dyer by John Deakin.

https://www.francis-bacon.com/life/family-friends-sitters/john-deakin

Studies on ertsaz George Dyer 080918 whole

Three Studies of movement. Oils stick, chalk, crayon, charcoal and lots of pencils.
A really interesting time with lots of overlaying. With the model, music, scenery and the amazing space of the crypt.

Robin as Bacon model x3 080918

Two studies of man in stocking. Oils stick, chalk, crayon, charcoal and lots of pencils.
The first works. The place was rather dark which made looking at the paper a waste of time. The works became more about tone and texture which suited me.

Man with stocking 080918
Man with stocking pose 2 080918

Some details:

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Sketchbook: Wales

Mountain near Snowden 1 Wales Aug 2018

A mountain next to Snowdon, viewed from the train. The marks are nice and wild, like the country.

Mountain near Snowden 2 Wales Aug 2018

The same mountain, from a little higher up. A little more tentative. The background faded beautifully to the sea and then sky. Snowdon is one of my favorite places on Earth.

Rail journey up Snowden Wales Aug 2018

The start of the Snowdon train journey, just noting down anything I saw, from sheep to sunglasses. Drawing on a journey is good practice; you cannot stop the train.

Beach near Portmadog Wales Aug 2018

An amalgam of different views from a beach near Portmadog. A lot of the rock is slate, lots of straight lines, the edges rounded by the sea.

My right hand on train to Reading

My hand on a train journey. Didn’t want to freak the passengers out by drawing them.

Izzy by Trevor Wales Aug 2018

My daughter at a café.

Trevor by Izzy Wales Aug 2018

My daughters view of me. Very flattering! 20 years younger than I see myself.

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Copley copy.

A tricky composition.
At the Tate Britain, having a wander, thinking about political art and depictions of war, having just seen the Aftermath exhibition of post WWI art. I’ve always liked this painting as the artist, John Singleton Copley is trying really hard. The fight for Jersey has been pushed into a most heroic painting. No doubt there is a Brexit cartoon in there somewhere.

Anway, I sat down and got out my pencils and had a tussle with Mr Copley’s work. Fun.

Copley_copy_Tate_Britain_190818copy

https://www.tate.org.uk/art/artworks/copley-the-death-of-major-peirson-6-january-1781-n00733

https://en.wikipedia.org/wiki/The_Death_of_Major_Peirson,_6_January_1781

https://www.tate.org.uk/whats-on/tate-britain/exhibition/aftermath

Copley_copy_Tate_Britain_Detail_190818

600px-John_Singleton_Copley_001

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Sketches on a trip to London.

The Natural History Museum followed by the V&A.
Testing out the very black grease pencil (chinagraph pencil).

iPhone_Daughter__140818

My daughter lost in the iPhone on the tube. Yes, her boots and hands are not as big in real life. That’s modern art!

Daughter_V&A_140818

In the plaster cast room of the V&A. My youngest was moving to fast  to draw, hence the ghost.

Plastercast_David_Michaelangelo_V&A_140818

Michelangelo’s David. A quick sketch made with graphite sticks.

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Sketchweek 7: Highgate wood.

To end the week here’s the tranquil landscape of Highgate Wood.
The dog I’m looking after wanted to rest, so out came the book and this is what was recorded.

The path. 040818. Graphite stick and HB pencil.

Highgate woods 020818

A detail of the above.

Highgate woods detail 020818

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Sketchweek 6: Barry Humphries’ Weimar Cabaret + my son on the tube.

This was a fantastic show. Meow Meow is incredible. Musically pretty perfect too.
I pray for a recorded version to torture / play to the kids in the car.

Setting the scene:
The Barbican hall before the performance. Pencil. 40 minutes; 20 before and 20 in the intermission.
I like the people in the wings.

Barry Humphries 23 B&W

Barry Humphries. Pencil and graphite stick.
Worked up from a very quick sketch made while he was on stage. I didn’t want to be distracting. Would love to paint Barry or / and Meow Meow. The perfect subjects.

Barry Humphries 2 B&W

 

https://meowmeowrevolution.com/

https://www.barbican.org.uk/whats-on/2018/event/barry-humphries-weimar-cabaret
This is my youngest on a long-ish tube journey. 20mins.
Some rubbing out was used. Shock horror. Yes, he is drawiing too. His pictures are too good for this blog…

Eddy on the tube

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Sketchweek 5: Drawing in the dark.

‘Draw without looking at the paper’. The sort of thing an art teacher will say to a student. As it was nightime around a camp fire when this was made there was no choice. When I looked at the paper there wasn’t much to see.

Campfire drawing 1. Pencil on paper. 2 hours (I think).

Camping night-time drawing 0718

Campfire drawing 1. Pencil on paper. 2 hours (I think).
This was made as the sun was going down. That is a big bottle of red wine.

Camping day-time drawing 0718

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